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Guys & Dolls - musical review

⭐⭐⭐⭐⭐


After a spectacular run at the Bridge Theatre so far, Guys & Dolls has undergone its last cast change before soon leaving the scene in January 2025. Transporting audiences back to 1950s Manhattan and the bars of Havana, the Broadway scene is brought to life through a uniquely sensational, inimitable immersive experience.


Amid the electric New York atmosphere, the betting scene is rife with undercover high-rollers, meanwhile biblical campaigns for peace and sin-stopping take to the streets. In a whirlwind tale of unlikely romance, the classic, long-running success of the production has entered a new era. Wrap-around seating envelopes the staging, meanwhile a standing audience are grounded in the action, allowing everyone to access feeling part of the piece with their desired level of involvement. An entire team seamlessly cooperate to bring the magic to life, with ingenious direction by Nicholas Hytner to navigate the rising and falling of different platforms, the integration of props and lighting, and the presentation of a company of characters, often appearing together: certainly an incredible feat by all.


The witty dialogue integrated throughout the script ensure the performance is timeless, alongside the captivating combination of tunes with energetic choreography by world-renowned star, Arlene Phillips, with James Cousins, to create a delightful mix. Despite being 2 hours 50 minutes in length, it definitely doesn't seem that way, and you are left craving more, but with memories to last a lifetime. A fast-paced plot keeps the storyline fresh as it moves through the notions, never feeling as if elements are just filling space, thus maintaining engagement and excitement, yet still being easy enough to follow.


Illuminated by neon signs above, the talented cast capture the essence of their characters; each balancing the illustration of their feisty exteriors with softer souls. Their humanity gives authenticity to the messy relationships that are merely a product of life, when the chemistry of being drawn to one another often knows no bounds. Owain Arthur skilfully takes on the role of prolific gambler, Nathan Detroit, while Timmika Ramsey perfectly embodies Adelaide with style and flair. The former's accomplices - Nicely-Nicely Johnson and Benny Southstreet are played by Jonathan Andrew Hume and Ryan Pidgen respectively, always spot on with their comedic timing, as all the leads demonstrate too. Gina Beck's beautiful vocals shine - an ideal complement to the nature of her character, and a contrast to George Ioannides' depiction of the unbeatable Sky Masterson. As Big Julie, Cameron Johnson's deep tones are encapsulating. Including numbers such as 'Luck Be a Lady' and 'Sit Down, You're Rockin' the Boat', the show is packed with Frank Loesser's music - consistent highlights leaving a lasting impression.


Regardless of whether you're a seasoned show-goer or just seeking an unforgettable theatrical experience, Guys & Dolls is guaranteed to satisfy, whatever the need. Packed with irresistible charm, layered with the indescribable creativity of the set, there is simply nothing else like it. Soon to be a massive loss to London's theatre repertoire, get there before it's gone: you will not want to miss this.



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