Kim's Convenience - play review
- Hannah Crouch
- May 24
- 2 min read
Updated: May 25
As the precursor to the hit Netflix show of the same name, Kim's Convenience has revived its staging for a current UK tour. Ins Choi's piece encompasses life in the little family-run Korean store as it is brought to life by its vibrant customers. Amusing in nature, its on-the-nose humour sets it apart from those more reserved on the scene.
James Yi takes on the role of Appa, ruling the roost in his strong-willed yet oddly charming manner. Alongside him, Caroline Donica also makes her UK debut as his on-stage daughter and wannabe photographer, Janet. Between them, a wild chemistry, likely to be reminiscent of homelife to those who relate to the household set-up. Joining them, Candace Leung plays Umma and Daniel Phung and Jung, completing the Kim family. Attempting to make a suitable impression after a chance meeting, Andrew Gichigi's portrayal of Alex adds another funny dynamic to the mix.
The comedy draws heavily on stereotypes to depict the characters and their mannerisms. For example, when deciding who is likely to steal from the store, Appa reels off an extensive list of traits and their perceived outcomes. Others include appearance, relationships, names, and accents - so if this isn't the kind of thing you can laugh about, this play may not be for you. However, the sentiment behind the familial structure and culture of Korean immigrants in Canada chimes a more meaningful passage at times, in contrast. This exploration through amusing quips and the direct battle of communication, particularly between Appa and Janet, makes for an intriguing watch.
Mona Camille's set design is enticing and perfectly reminiscent of stepping into your local corner shop. With shelves adorned in all the essentials you could ever possibly need, the spectrum of colours and brands reflects the variety of interactions seen within those walls. Directed by Esther Jun and 75 minutes straight through with no interval, this feels like a good length for the piece at hand. That being said, the ending does seem a little rushed and open-ended with its conclusion, where elements earlier on could have been condensed slightly instead to improve the pacing.
In all, Kim's Convenience spurs conversation about parental expectations and sacrifices, while employing a light-hearted spin on this. If you're curious about the comedy or have already enjoyed it on the screen, this production certainly brings those elements to the table (or, shall we say, counter).

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